pianotunersdirectory.co.uk Report : Visit Site


  • Server:Apache...

    The main IP address: 95.142.154.250,Your server United Kingdom,Maidenhead ISP:UK Webhosting Ltd  TLD:uk CountryCode:GB

    The description :qualified local piano tuner-technicians directory the association of blind piano tuners exists to serve the professional and particular needs of its members and other blind and partially sighted piano...

    This report updates in 15-Jun-2018

Created Date:26-Jan-2011
Changed Date:27-Dec-2016

Technical data of the pianotunersdirectory.co.uk


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Latitude: 51.522789001465
Longitude: -0.71986001729965
Country: United Kingdom (GB)
City: Maidenhead
Region: England
ISP: UK Webhosting Ltd

HTTP Header Analysis


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Content-Length:30997
Accept-Ranges:bytes
Keep-Alive:timeout=2, max=100
Server:Apache
Last-Modified:Sat, 24 Mar 2018 19:22:02 GMT
Connection:Keep-Alive
Date:Fri, 15 Jun 2018 11:09:57 GMT
Content-Type:text/html

DNS

soa:ns1.tsohost.co.uk. serveremails.ebws.co.uk. 2015062705 86400 7200 3600000 86400
ns:ns2.tsohost.co.uk.
ns1.tsohost.co.uk.
ipv4:IP:95.142.154.250
ASN:198047
OWNER:UKWEB-EQX, GB
Country:GB
mx:MX preference = 0, mail exchanger = pianotunersdirectory.co.uk.

HtmlToText

qualified local piano tuner-technicians directory the association of blind piano tuners exists to serve the professional and particular needs of its members and other blind and partially sighted piano tuners throughout the world. all new members of the abpt resident in the uk are vetted by the criminal records bureau (crb) and approved to work in situations with vulnerable adults or children. there are three categories of membership: a list of some of the countys our members cover this is a list of professional qualified piano tuner-technicians who are members of the blind piano tuners association, tuning and repairing pianos. for concerts, schools and homes. find a local piano tuner in the united kingdom: faq why maintain a piano? the piano is a highly developed, complicated piece of equipment. it contains about 240 different lengths of highly tensioned wire. (approx. 160lbs per note and a 15% increase in the bass giving you an overall strain on the frame of 21 tons approx.) these lengths of wire go to make up 85 to 88 notes spread across the musical range. plus, for each note, there exists a mechanism, which in the case of an upright piano contains up to 14 different moving parts. in the case of a grand up to 22 per note. since the piano must be maintained at a specific tension to achieve a good musical sound, the matter of maintenance becomes an on-going process. since a piano consists mainly of wood and iron, all of this is subject to movement. the movement of the wooden sound board, framework, cause the wires to change tension without prompting by the user. thus, it becomes necessary to set up a minimal schedule of tuning of the instrument to ensure reliable and pleasant results. of course, this schedule can't be, nor is it a hard and fast one. but, we can make recommendations and set out guidelines. you should evaluate your piano usage in terms of your own experience. what is piano tuning? piano tuning is the process by which the piano is brought into sonic regulation with itself. the process of tuning is a multi-stage process. the tuner begins by setting the instrument to the pitch to which it is to be tuned. he then performs the setting of he "temperament." this is the 12-note pattern that governs the entire tuning of the piano. it is based on a mathematical formula that dictates that all the notes in this 12 note pattern be spaced equally apart in distance from each other. this "scale" has been worked out by musicians down the years, and become to be known as "equal temperament." this is the formula by which instrumentation in the west has been tuned for the last 150 years. the tuner accomplishes this task of setting the temperament by applying a series of tests that are part of his training. thus, a good aural tuner can set up a piano from but one reference point. a good aural tuner needs no additional instrumentation, but some have resorted to electronic tuning aids. this isn't to infer that these are inferior, but it is suggested that a tuner have a strong degree of training in aural tuning before attempting to rely on such. blind piano tuners in 19th century france and england, piano tuners were frequently blind. the first blind piano tuner is thought to be claude montal, who taught himself how to tune a piano while studying at l'institut national des jeunes aveugles in 1830. at first montal's teachers were skeptical, doubting that a blind man could actually perform the necessary mechanical tasks. montal's skill was undeniable, however, and he was soon asked to teach classes in tuning to his fellow students. eventually, he also overcame public prejudice, and landed several prestigious jobs as a tuner for professors and professional musicians. montal's success paved the way for other blind tuners, both in france and in england, where montal's example and teaching methods were adopted by thomas rhodes armitage. today the image of the blind piano tuner is so ingrained that people in england sometimes express surprise when they encounter a piano tuner who can see. . 1. what is a "temperament?" when an octave is divided into 12 notes, the intervals they form cannot all be perfectly "in tune" at once, so compromises must be made.a emperament is the result of this process. 2. why must we have a temperament? when an interval is tuned for maximum consonance, or "in-tuneness," it is said to be "just." when an interval is "de-tuned" to be either wider or narrower than just, its sound begins to quiver or "beat." this beating is called dissonance. the process of e-tuning perfectly consonant intervals is called tempering and the resulting organization of the octave is called a temperament. different compromises yield different musical results. 3. how many temperaments are there? there are countless variations, but most fall within three major categories; 1. meantone, which generally concentrated the dissonance into a few unusable intervals (often called "wolf" intervals), so that the others could be just. these are often called "restrictive" tunings, since there are certain intervals that are not usable. good intervals are really good, bad ones are really bad. the meantone era was approx. 1400-1700 2. well-temperament, which gives more onsonance to the most often used keys, and more dissonance to the lesser used ones. though not equal, these tunings are "non-restrictive" because all intervals can be used. the intervals range from just to barely acceptable. well-temperament refers to a genre, not a specific tuning. the well-tempered era is approx. 1700-1880. 3. equal temperament, which spreads the dissonance equally among all intervals. there is no difference in consonance or dissonance between any keys, thus, there are no good ones or bad ones. equal temperament represents a complete average. dates of its acceptance are debated, but there is ample evidence that it was widely available by 1900 and is the predominate tuning on keyboards, today. 4. what are "historical temperaments?" they are temperaments that were in favor prior to the adoption of today's equal temperament. the keyboard music of a given "temperament era" often reflects the influence of the tuning, i.e., most keyboard music of the meantone era modulated very little, staying within the bounds of pure consonance to avoid the "wolf" intervals of the most remote keys. music of the well-tempered era exhibits a tonal organization that may make use of the rising and falling consonance found in the various keys. 20th century music, firmly in the equal-tempered era, has no restrictions or favorites in regard to keys. 5. what are the good keys in a historical temperament? that depends on the particular temperament. in meantone tuning, there are usually four keys that are unusable. these are often b, c#, f# and ab. all the rest are very consonant. in a well-temperament, the usual form is to increase dissonance with the number of accidentals in the key signature. as a legacy of meantone, in well-temperaments the most often used keys contained the most perfectly tuned thirds. it is the thirds that determine the tonal "color" of a triad, so the closer thirds are to "just", the more harmonious the sound of the triad. the lesser used keys absorbed more of the unavoidable dissonance, but not so much that they become unusable. where tonic thirds are highly tempered, the keys exhibit more musical energy; there is more activity in the vertones, and generally there is an increased level of musical tension available. the closer a key signature was to the extremes, the more consensus there was to its "emotional nature", i.e., the key of c, with it's beautiful, harmonious thirds, was regarded as calming and restful, while keys such as b maj or f#major were known for their "tension" or "brilliance". the middle keys, such as eb or a, were less agreed upon. if a composer wanted to create a particular musical character, he could choose from a variety of keys offering differing tonal effects. from the purity and r

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Domain name:
pianotunersdirectory.co.uk

Data validation:
Nominet was able to match the registrant's name and address against a 3rd party data source on 10-Dec-2012

Registrar:
Paragon Internet Group Ltd t/a Tsohost [Tag = UKWEBHOSTING]
URL: http://www.tsohost.co.uk

Relevant dates:
Registered on: 26-Jan-2011
Expiry date: 26-Jan-2019
Last updated: 27-Dec-2016

Registration status:
Registered until expiry date.

Name servers:
ns1.tsohost.co.uk 195.62.28.14
ns2.tsohost.co.uk 95.142.155.4
ns3.tsohost.co.uk 95.142.154.15

WHOIS lookup made at 12:09:55 15-Jun-2018

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  SERVER co.uk.whois-servers.net

  ARGS pianotunersdirectory.co.uk

  PORT 43

  TYPE domain

DOMAIN

SPONSOR
Paragon Internet Group Ltd t/a Tsohost [Tag = UKWEBHOSTING]
URL: http://www.tsohost.co.uk
Relevant dates:

  CREATED 26-Jan-2011

  CHANGED 27-Dec-2016

STATUS
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  NS1.TSOHOST.CO.UK 195.62.28.14

  NS2.TSOHOST.CO.UK 95.142.155.4

  NS3.TSOHOST.CO.UK 95.142.154.15

  NAME pianotunersdirectory.co.uk

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